Old-time, country and bluegrass music in the big city.
Event Calendar
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The next Stringdusters show is at the Bowery Ballroom on March 16th!The Infamous Stringdusters
Glenn Jones: Tiny Desk Concert
Instrumental banjo and fingerpicking guitar. I might try and learn a bit of what he plays.
Glenn Jones has only taken up the banjo recently, but it’s as if he’s been inside the instrument for a lifetime. At least that’s how it felt when he opened his set with a modal piece that might have felt more appropriate played next to a quiet creek than behind our desks at the NPR Music offices.
Jones’ most recent album, The Wanting, is a compelling work of American folk music that tells stories without a single word. When he introduced “The Great Pacific Northwest,” he said that if he played it right, “Mt. Rainier should burst right through the floor of this room.” Heaven help us if it didn’t seem like it might.
There’s a genteel physicality to Jones’ playing that counters the raw, bear-trap-like style of his old friend and collaborator, the late Jack Rose. That comes out in the closing song, “Of Its Own Kind,” which captures the kind of faraway melody that’ll have you humming for days.
As boys in the little community of Flint Hill, near Shelby, North Carolina, Earl and his brother Horace would take their banjo and guitar and start playing on the porch, then split up and meet behind the house. Their goal was to still be on the beat when they rejoined at the back. Momentously, when he was ten years old, after a fight with his brother, he was playing his banjo to calm his mind. He was practicing the standard “Reuben” when found he could incorporate his third finger into the picking of his right hand, instead of the his usual two, in an unbroken, rolling, staccato. He ran back to his brother, shouting, “I’ve got it, I’ve got it!” He was on the way to creating an entirely new way of playing the banjo: Scruggs Style.
Mavis Staples- We Shall Not Be Moved
Mississippi John Hurt- Do Lord Remember Me
The Fisk University Jubilee Quartet- Swing Low Sweet Chariot
Big Mama Thornton- Wade in the Water
Richie Havens- Follow the Drinking Gourd

[Thile] and Mr. Daves simply plunge into classic bluegrass songs — from Bill Monroe, the Stanley Brothers, the Louvin Brothers, Flatt & Scruggs — and sing and play the daylights out of them…. That means speed, first of all: breakneck lines cleanly articulated over brisk rhythm chords, with the two men switching intuitively between lead and rhythm roles. But Mr. Thile and Mr. Daves can also play with restraint and delicacy, as they did in “Silver Dagger” and “Bury Me Beneath the Willow,” making regret and renunciation shine through… In old-fashioned style, they share a single microphone, often standing so close it is a wonder that their fast-moving picking hands don’t collide. They use traditionalist close-harmony vocals, trading off higher and lower parts with Appalachian-style quavers and yips. They map out arrangements but leave room within them to egg each other on, often revving toward peaks of fiercely strummed tremolo.
beautifulspoon: Crooked Still singing Ain’t No Grave.
(via fuckyeahbluegrass)
Catch Spirit Family Reunion during their residency every Wednesday this month at 10 pm at the Living Room (154 Ludlow St.) The shows are free, and include guest musicians each week. Each show will feature a guest act at 9 pm, and Spirit Family Reunion will play at 10 pm.
Sam McDougle and Peter Winne are launching a bi-monthly Old-Time and Bluegrass show at Larry Lawrence in Williamsburg the 2nd and 4th Tuesdays of every month. Sam and Pete are two young folk musicians with that have brought their energetic take on American music to venues around the world including a stop on Garrison Keillor’s ‘A Prairie Home Companion’ in 2007. They play in the band Tumbling Bones, and when they’re not on the road you can find them at Larry Lawrence. 295 Grand St. Brooklyn. 9:00 pm, 2nd and 4th Tuesdays of each month. Check them out- these guys are great!

Brooklyn Fiddler Jason Cade writes in about a few upcoming shows featuring his various projects:
On Jan. 14, Cade and his bandmates will celebrate The Weal & Woe’s debut EP release (12” vinyl and CD), The One to Blame, at the Parkside Lounge. The fabulous Roulette Sisters get the party started at 9 pm, and TWAW play at 10 pm.
On Jan. 20, Gangstagrass will be hosting a launch party at Pianos for Season 3 of Justified (which features our bluegrass-hiphop music as the theme song and in commercials). Lots of special guests and new jams! Openers Apocalypse Five and Dime play at 10 pm, Gangstagrass goes on at 11 pm.
On Jan. 27, Cade will be participating again in the Annual Tribute to John Hartford at Jalopy Theater. Hosted by Jordan Shapiro and Jonah Bruno, this is always a fun night with a bunch of great performers. With esteemed bass-player Jason Sypher, Cade will be playing three traditional old-time tunes that Hartford recorded.
The Wildwood Sisters will play Dixon Place, 161A Chrystie Street (between Rivington & Delancey), Saturday, Jan 14 at 7:30pm - No Cover. Featuring special guest Matt Haden on banjo!
Some great stuff here- Gillian Welch’s The Harrow & The Harvest is #1. Great to see Brooklyn favorites The Sweetback Sisters on the list!
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