Old-time, country and bluegrass music in the big city.
Event Calendar
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The New York Times: Doc Watson, the guitarist and folk singer whose flat-picking style elevated the acoustic guitar to solo status in bluegrass and country music, and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists, died on Tuesday in Winston-Salem, N.C. He was 89… “He is single-handedly responsible for the extraordinary increase in acoustic flat-picking and fingerpicking guitar performance,” said Ralph Rinzler, the folklorist who discovered Mr. Watson in 1960. “His flat-picking style has no precedent in earlier country music history.”
Associated Press: Doc Watson was born in what is now Deep Gap, N.C., in the Blue Ridge Mountains. He lost his eyesight by the age of 1 when he developed an eye infection that was worsened by a congenital vascular disorder, according to a website for Merlefest, the annual musical gathering named for his late son Merle… He came from a musical family. His father was active in the church choir and played banjo, and his mother sang secular and religious songs, according to a statement from Folklore Productions, his management company since 1964… Doc Watson’s father gave him a harmonica as a young child, and by 5 he was playing the banjo, according to the Merlefest website. He learned a few guitar chords while attending the North Carolina Morehead School for the Blind in Raleigh, and his father helped him buy a Stella guitar for $12.
Stars pay tribute: Chely Wright, Rosanne Cash and Steve Martin are among the stars who have paid tribute to Doc Watson following his death… Cash lamented, “To lose Earl Scruggs, Levon Helm and Doc Watson in one year is just too, too much”, while Chely Wright simply stated: “Rest in peace”… Country singer Ricky Skaggs said in a statement, “An old ancient warrior has gone home. He prepared all of us to carry this on. He knew he wouldn’t last forever. He did his best to carry the old mountain sounds to this generation.”
Rolling Stone: Watson won seven Grammys and received the Recording Academy’s Lifetime Achievement award in 2004. In 1997, then-President Bill Clinton presented Watson with the National Medal for the Arts, in recognition of his significant impact on national heritage music.
Slate: But Watson didn’t restrict himself to the “old-time” tunes. He bought his first guitar from Sears Roebuck with money he got from chopping down chestnut trees on the family field and selling it “for pulpwood to the tannery.” And he took quickly to rockabilly, which he played throughout the 1950s. In the early ’60s, however, the folklorist Ralph Rinzler suggested he go back to the acoustic guitar and play the songs he’d learned growing up. Watson took his advice and became a star of the ’60s folk scene.
CNN: Watson got his nickname during a live radio broadcast. “The announcer remarked that his given name Arthel was odd and he needed an easy nickname,” according to a biography on the North Carolina Music Hall of Fame website. ”A fan in the crowd shouted ‘Call him Doc.’ The name stuck ever since.”
Check out this video of the Punch Brothers’ Noam Pikelny with Michael Daves at the Brooklyn Folk Festival last night. More music all day today- doors open at 11:45am on Saturday! Info and lineup at http://www.brooklynfolkfest.com/events.
Today’s show will feature Jackson Lynch, the East River String Band, M Shanghai String Band, The Calamity Janes, Blind Boy Paxton, The Little Brothers and many more!
Old Crow Medicine Show announce summer tour, show in New York at Central Park’s Summer Stage on August 6th!
Showtime: 6:30 PM Price: $35/$40 Gates open at 5:30 PM.
With Very Special Guests: The Lumineers & Milk Carton Kids. All Ages Show.
Veteran pickers The Seldom Scene put the blues in bluegrass on this performance from the 2010 Jenny Brook Bluegrass Festival. For more on this tune, visit www.secondcousincurly.com.
more videos in my blog:
Sittin’ On Top of the World – From Blues to Bluegrass
Via My Old Kentucky Blog… A new free track from the upcoming new album, No Separation, from Brooklyn neo folksters Spirit Family Reunion! The band is on tour this summer, next playing New York at the Mercury Lounge on June 15th. More: http://www.myoldkentuckyblog.com/?p=29351
436 Plays
My uncle is the guitar player- wish I had been in that little country church for this show!
Carolina Chocolate Drops, “Country Girl”
“Some still like the old ways best. For 25 years, MerleFest has drawn fans of roots music—a broad term encompassing numerous genres of American folk music—to the charming little town of Wilkesboro, in North Carolina’s Brushy Mountains. This year around 80,000 attended the four-day event. Headline acts included Los Lobos, a band from East Los Angeles that blends rock and American folk with Mexican genres such as norteño; Bela Fleck, a banjo player and composer whose music sounded like a marriage of bluegrass and the Grateful Dead; and the Punch Brothers, a talented young band comprising the traditional five bluegrass instruments but with an extraordinarily wide range (their bluegrass version of Radiohead’s “Kid A” is, against all expectations, revelatory: by using a bowed bass for the vocal part, they highlight that in the original version, Thom Yorke was less a singer than just another band member, using his muffled and electrified voice as just another instrument).”
July 4th- put it on your calendar today…. Madison Square Park announces a great roots music show as part of their 10th anniversary programming.
July 4th, 2012
Noam Pikelny and Friends I 3pm
Virtuosic banjo player Noam Pikelny headlines MSPC’s 10-year anniversary July 4 celebration with his band of friends including Aoife O’ Donovan (Crooked Still), Gabe Witcher (Punch Brothers), Chris Eldridge (Punch Brothers) and Mark Schatz (Claire Lynch Band). Part of the acclaimed bluegrass group Punch Brothers and winner of the first Steve Martin Prize for Excellence in Banjo and Bluegrass Music, Pikelny is, “a player of unlimited range and astonishing precision,” (Steve Martin).
The Sweetback Sisters
The Sweetback Sisters Emily Miller and Zara Bode may not be blood relations, but their precise, family-style harmonies recall the best of country music from the Everlys to The Judds, as well as the spirited rockabilly energy of Wanda Jackson, one of the band’s role models. Like the artists they admire, the Sweetbacks are concerned with the traditional subjects of heartbreak, revenge, remorse and staying strong in the face of relationships gone wrong, albeit with a contemporary sensibility. The Boston Globe says, “If you think the concepts of hipster Brooklynites and classic country music are mutually exclusive, allow us to introduce you to this swinging sextet. Fronted by the closely harmonizing duo of Zara Bode and Emily Miller, the zingy group is simultaneously reverent of tradition and contemporaneously cheeky.”
Spuyten Duyvil
“Spuyten Duyvil,” Dutch slang for “in spite of the devil” as well as the creek connecting the Harlem and Hudson Rivers, is a new band of eight old souls playing and singing their hearts out. Led by husband and wife duo Mark Miller (guitar, Bouzouki, vocals) and Beth Jamie Kaufman (vocals) they lean on the history, folklore and sounds of the last 100 years to craft an energetic bluesy, bluegrass, jug band, Old Timey influenced force. Featuring guitar, dobro, fiddle, mandolin and lap steel, harmonica, drums, bass and rich multi-part harmonies, Spuyten Duyvil is, “one of the best bands to emerge on the Americana scene in the last year,” (John Platt, WFUV).
Country gospel from The Louvin Brothers
“If We Forget God”
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